Most singing academics agree that each men and women have «head voice» as part of their sound. This time period applies to the way the vocal cords vibrate and work after we sing high notes. I will go into the mechanics of the vocal cords in another article and in my courses, however for now let’s just understand that two strips of membrane in our larynx (adam’s apple) we call vocal cords vibrate in opposition to each other, turning air from our lungs into sound. For decrease sounds (the chest voice) the full length or the cords is used for the action. Since higher sounds require smaller, shorter or thinner vibrations (think how a harp looks) the vocal cords must change in shape and measurement with the intention to make high notes.
As we sing higher notes our two vocal cords move closer collectively and start to do what is called the «zipper impact». Higher notes require a smaller opening for the air to go through, so a small miracle occurs as the twine start to «zip» up, leaving a smaller and smaller opening. (Think of what a clothing zipper looks like as it zips up.)
So, whenever you think about it, it should take less air pressure to sing the high notes than the low ones, and it does. For low notes there’s a big opening between the cords the place you can pass a lot of air via without a number of stress. And the high notes require a smaller opening between the cords. This smaller opening permits less air to pass by way of without stress. After we attempt to push an excessive amount of air pressure (quantity) through the cords for higher notes we cause them to work too hard resisting the extra air. This produces an overly-fats, amateurish sound which sounds forced and difficult.
Once we sing higher we «feel» we must work harder to get those notes out. Actually, we need to back off some, feel the sound higher in our head, letting it thin like the higher notes of the piano or guitar.
Try singing a sweeping continuous «ah» or «uh» vowel, starting at your lowest note and «sweeping» or sliding the continuous sound up to your highest notes. Discover that you will probably reach a degree when it seems you possibly can go no higher. Lighten your sound there and begin to let it thin and really feel higher in your head. Guys, for those who go into the falsetto that’s OK for now. Allow you to voice do what it needs to do. Girls you may probably must move into your head voice at some point. That is ok. Just keep going, making an attempt not to strain.
Do this train often, paying attention to how the higher notes feel. Are you pushing and straining, or are you just letting it sweep on up?
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