Most singing teachers agree that each males and females have «head voice» as part of their sound. This time period applies to the way the vocal cords vibrate and work once we sing high notes. I will go into the mechanics of the vocal cords in another article and in my programs, but for now let’s just understand that two strips of membrane in our larynx (adam’s apple) we call vocal cords vibrate in opposition to each other, turning air from our lungs into sound. For lower sounds (the chest voice) the total length or the cords is used for the action. Since higher sounds require smaller, shorter or thinner vibrations (think how a harp looks) the vocal cords should change in shape and dimension in order to make high notes.
As we sing higher notes our vocal cords move closer together and begin to do what is called the «zipper impact». Higher notes require a smaller opening for the air to go through, so a small miracle happens as the cord begin to «zip» up, leaving a smaller and smaller opening. (Think of what a clothing zipper looks like as it zips up.)
So, while you think about it, it ought to take less air pressure to sing the high notes than the low ones, and it does. For low notes there is a big opening between the cords where you possibly can pass numerous air by means of without numerous stress. And the high notes require a smaller opening between the cords. This smaller opening permits less air to pass via without stress. After we attempt to push an excessive amount of air pressure (quantity) through the cords for higher notes we cause them to work too hard resisting the extra air. This produces an excessively-fat, amateurish sound which sounds forced and difficult.
When we sing higher we «really feel» we should work harder to get these notes out. Actually, we need to back off some, feel the sound higher in our head, letting it thin like the higher notes of the piano or guitar.
Attempt singing a sweeping continuous «ah» or «uh» vowel, starting at your lowest note and «sweeping» or sliding the continuous sound up to your highest notes. Notice that you’ll probably reach a point when it appears you possibly can go no higher. Lighten your sound there and begin to let it thin and feel higher in your head. Guys, should you go into the falsetto that is OK for now. Allow you to voice do what it must do. Girls you may probably have to move into your head voice at some point. That is ok. Just keep going, making an attempt to not strain.
Do this train often, listening to how the higher notes feel. Are you pushing and straining, or are you just letting it sweep on up?
In the event you cherished this post and you would want to receive guidance concerning How to sing higher in chest voice i implore you to pay a visit to the page.