Most singing academics agree that each males and females have «head voice» as part of their sound. This time period applies to the way the vocal cords vibrate and work after we sing high notes. I will go into the mechanics of the vocal cords in one other article and in my courses, however for now let’s just understand that strips of membrane in our larynx (adam’s apple) we call vocal cords vibrate against each other, turning air from our lungs into sound. For decrease sounds (the chest voice) the total size or the cords is used for the action. Since higher sounds require smaller, shorter or thinner vibrations (think how a harp looks) the vocal cords should change in form and measurement with the intention to make high notes.
As we sing higher notes our two vocal cords move closer together and begin to do what is called the «zipper impact». Higher notes require a smaller opening for the air to go through, so a small miracle occurs because the twine begin to «zip» up, leaving a smaller and smaller opening. (Think of what a clothing zipper looks like as it zips up.)
So, once you think about it, it ought to take less air pressure to sing the high notes than the low ones, and it does. For low notes there’s a big opening between the cords where you’ll be able to pass loads of air by way of without quite a lot of stress. And the high notes require a smaller opening between the cords. This smaller opening permits less air to pass through without stress. After we attempt to push an excessive amount of air pressure (quantity) by means of the cords for higher notes we cause them to work too hard resisting the additional air. This produces a very-fat, amateurish sound which sounds forced and difficult.
After we sing higher we «really feel» we should work harder to get these notes out. In actual fact, we have to back off some, really feel the sound higher in our head, letting it thin like the higher notes of the piano or guitar.
Strive singing a sweeping continuous «ah» or «uh» vowel, starting at your lowest note and «sweeping» or sliding the continuous sound as much as your highest notes. Discover that you’re going to probably reach a degree when it appears you possibly can go no higher. Lighten your sound there and begin to let it thin and feel higher in your head. Guys, for those who go into the falsetto that is OK for now. Let you voice do what it needs to do. Girls you will probably need to move into your head voice at some point. That’s ok. Just keep going, attempting to not strain.
Do this train often, listening to how the higher notes feel. Are you pushing and straining, or are you just letting it sweep on up?
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