Most singing lecturers agree that both women and men have «head voice» as part of their sound. This term applies to the way the vocal cords vibrate and work when we sing high notes. I will go into the mechanics of the vocal cords in another article and in my courses, but for now let’s just understand that two strips of membrane in our larynx (adam’s apple) we call vocal cords vibrate in opposition to one another, turning air from our lungs into sound. For lower sounds (the chest voice) the full size or the cords is used for the action. Since higher sounds require smaller, shorter or thinner vibrations (think how a harp looks) the vocal cords should change in shape and measurement to be able to make high notes.
As we sing higher notes our vocal cords move closer together and begin to do what is called the «zipper impact». Higher notes require a smaller opening for the air to undergo, so a small miracle occurs as the twine begin to «zip» up, leaving a smaller and smaller opening. (Think of what a clothing zipper looks like as it zips up.)
So, whenever you think about it, it ought to take less air pressure to sing the high notes than the low ones, and it does. For low notes there is a big opening between the cords where you can pass plenty of air through without quite a lot of stress. And the high notes require a smaller opening between the cords. This smaller opening allows less air to pass via without stress. When we try to push too much air pressure (quantity) by the cords for higher notes we cause them to work too hard resisting the extra air. This produces a very-fats, amateurish sound which sounds forced and difficult.
When we sing higher we «really feel» we must work harder to get these notes out. In reality, we need to back off some, really feel the sound higher in our head, letting it thin like the higher notes of the piano or guitar.
Strive singing a sweeping continuous «ah» or «uh» vowel, starting at your lowest note and «sweeping» or sliding the continuous sound up to your highest notes. Discover that you’ll probably attain some extent when it seems you possibly can go no higher. Lighten your sound there and start to let it thin and really feel higher in your head. Guys, in the event you go into the falsetto that’s OK for now. Let you voice do what it must do. Girls you’ll probably need to move into your head voice at some point. That’s ok. Just keep going, trying not to strain.
Do this train often, taking note of how the higher notes feel. Are you pushing and straining, or are you just letting it sweep on up?
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