Most singing teachers agree that each women and men have «head voice» as part of their sound. This term applies to the way the vocal cords vibrate and work once we sing high notes. I will go into the mechanics of the vocal cords in one other article and in my programs, but for now let’s just understand that two strips of membrane in our larynx (adam’s apple) we call vocal cords vibrate towards each other, turning air from our lungs into sound. For lower sounds (the chest voice) the full size or the cords is used for the action. Since higher sounds require smaller, shorter or thinner vibrations (think how a harp looks) the vocal cords should change in form and size in an effort to make high notes.
As we sing higher notes our vocal cords move closer together and start to do what is called the «zipper impact». Higher notes require a smaller opening for the air to undergo, so a small miracle occurs because the wire start to «zip» up, leaving a smaller and smaller opening. (Think of what a clothing zipper looks like as it zips up.)
So, whenever you think about it, it ought to take less air pressure to sing the high notes than the low ones, and it does. For low notes there’s a big opening between the cords the place you can pass quite a lot of air by way of without plenty of stress. And the high notes require a smaller opening between the cords. This smaller opening allows less air to pass by means of without stress. After we attempt to push too much air pressure (quantity) by way of the cords for higher notes we cause them to work too hard resisting the additional air. This produces an overly-fat, amateurish sound which sounds forced and difficult.
After we sing higher we «feel» we should work harder to get those notes out. In truth, we need to back off some, feel the sound higher in our head, letting it thin like the higher notes of the piano or guitar.
Try singing a sweeping steady «ah» or «uh» vowel, starting at your lowest note and «sweeping» or sliding the continuous sound as much as your highest notes. Discover that you will probably reach a point when it appears you possibly can go no higher. Lighten your sound there and start to let it thin and feel higher in your head. Guys, for those who go into the falsetto that’s OK for now. Let you voice do what it must do. Girls you may probably need to move into your head voice at some point. That’s ok. Just keep going, trying to not strain.
Do this train typically, taking note of how the higher notes feel. Are you pushing and straining, or are you just letting it sweep on up?
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