There are many misunderstandings about musicians. These misconceptions exist even in educated societies across the world. While they apply to artists on the whole, our focus here is with music.
One misconception is that the musician needs to be a «starving artist» and live a poor lifestyle. Music, just like some other profession, has those who succeed financially and people who do not and those in between. You see rich pop and rock stars and also you see buskers with jars on the street. Monetary success is impartial of talent, and never essentially particular to anyone industry either.
An attention-grabbing thing to note is that music itself is definitely a relatively costly business so far as professional musicians are concerned. Instruments and other equipment plus their maintenance and also areas can be quite costly. Quality lessons, a needed investment, will not be exactly cheap. All companies have their overhead and operating expenses. And doing music vocationally falls into this category, due to this fact it requires proper enterprise acumen and wonderful monetary planning to ensure solvency and viability. And there are definitely professional musicians in this world who are not «starving» and doing just fine.
One other false idea is that musicians should be somewhat loopy or unstable, and this has one way or the other become associated with talent. Expertise stands alone and is its own area.
Oppressive people created this false notion in an effort to keep creativity down. Anything good, powerful and inventive threatens certain people whose only intention is to destroy. This, by the way, explains the prevalence of medication in rock music. It’s all calculated. Musicians, because they’re creative and inventive, are vulnerable and sometimes targets for suppression.
Musicians, like some other human being, have emotions and feelings. Because they are under more judgement and analysis, akin to during competitions or academic jury exams, they develop into more prone to attacks by those that use that as an avenue primarily to harm others, or by those that are merely insensitive. Contradictory evaluations between judges may also cause great confusion.
Being expressive, joyful, insouciant and humorous can all come under the heading of creativity, so this too has additionally been falsely associated with being crazy or neurotic.
Being pretty uninhibited is usually frowned upon in our society, the place we are all expected to behave in a sure way, like cattle. When a musician is in a transcendental moment, he may seem considerably loopy to a more ordinary person. A real instance was a composer who was walking down the street and rapidly had a spark of creativity and he started «thinking out loud» with his inventive process, making rhythmic hand and body gestures. Some passersby might have thought there was something flawed with him, not understanding that he was simply having a transcendental or artistic moment.
One widespread fallacy is that it is one way or the other okay for a musician to play for free. The «pay to play» idea is unfortunately prevalent. Would one ask a plumber to come fix the sink for free? Not if he desires to get his sink fixed. Imagine it or not, an ad was positioned not too long ago in a sure classifieds section from a restaurant owner seeking a band to return perform at his restaurant for free with the inadequate trade of «promoting themselves and selling albums». As silly as this sounds, it is all too common. Music instructors frequently get asked without spending a dime lessons. While there may be nothing wrong with doing volunteer work to assist deserving underprivileged individuals, that’s different. Would one ask an accountant to do taxes without cost? Once more, same principle.
One other fallacious thought about musicians is that their physical appearance, behavior or demeanor has to be unusual, different and even weird. This gets imposed so much however is unnecessary. It’s an incorrect habit in lots of societies. Image is image and irrelevant to demonstration of talent.
It’s also commonly thought that musicians are overly sensitive and emotionally frail, who collapse easily under the pressures of life. As mentioned earlier, a musician, like every other human being, has emotions and sanity or insanity. But, quite the opposite, the musician has a sure advantage, for music is also a way of healing and venting of trauma and due to this fact therapeutic to perform. This causes a terrific avenue for aid and usually results in larger mental and emotional security.
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