There are lots of misunderstandings about musicians. These misconceptions exist even in educated societies across the world. While they apply to artists usually, our focus here is with music.
One false impression is that the musician must be a «starving artist» and live a poor lifestyle. Music, just like any other profession, has those that succeed financially and people who don’t and those in between. You see rich pop and rock stars and also you see buskers with jars on the street. Monetary success is independent of expertise, and not necessarily particular to any one business either.
An attention-grabbing thing to note is that music itself is definitely a comparatively costly industry so far as professional musicians are concerned. Instruments and different equipment plus their upkeep and also spaces could be quite costly. Quality lessons, a necessary investment, usually are not precisely cheap. All companies have their overhead and operating expenses. And doing music vocationally falls into this category, subsequently it requires proper business acumen and wonderful financial planning to ensure solvency and viability. And there are certainly professional musicians in this world who aren’t «ravenous» and doing just fine.
One other false idea is that musicians should be considerably crazy or unstable, and this has by some means turn out to be associated with talent. Expertise stands alone and is its own area.
Oppressive people created this false notion in an effort to keep creativity down. Anything good, highly effective and inventive threatens certain individuals whose only intention is to destroy. This, incidentally, explains the prevalence of drugs in rock music. It is all calculated. Musicians, because they are creative and inventive, are vulnerable and often targets for suppression.
Musicians, like every other human being, have emotions and feelings. Because they are under more judgement and evaluation, similar to during competitions or academic jury exams, they develop into more prone to attacks by those that use that as an avenue primarily to hurt others, or by those that are merely insensitive. Contradictory evaluations between judges may cause great confusion.
Being expressive, joyful, insouciant and humorous can all come under the heading of creativity, so this too has additionally been falsely associated with being crazy or neurotic.
Being pretty uninhibited is generally frowned upon in our society, where we’re all anticipated to behave in a certain way, like cattle. When a musician is in a transcendental moment, he may seem considerably loopy to a more ordinary person. A real instance was a composer who was walking down the street and abruptly had a spark of creativity and he started «thinking out loud» with his inventive process, making rhythmic hand and body gestures. Some passersby might need thought there was something incorrect with him, not understanding that he was merely having a transcendental or inventive moment.
One common fallacy is that it is in some way okay for a musician to play for free. The «pay to play» concept is sadly prevalent. Would one ask a plumber to come back fix the sink without spending a dime? Not if he wants to get his sink fixed. Believe it or not, an ad was placed lately in a sure classifieds part from a restaurant owner seeking a band to come back perform at his restaurant for free with the insufficient exchange of «promoting themselves and selling albums». As silly as this sounds, it is all too common. Music instructors incessantly get asked without cost lessons. While there’s nothing wrong with doing volunteer work to assist deserving underprivileged individuals, that is different. Would one ask an accountant to do taxes for free? Again, similar principle.
One other improper thought about musicians is that their physical look, behavior or demeanor must be uncommon, different or even weird. This gets imposed so much however is unnecessary. It is an incorrect habit in many societies. Image is image and irrelevant to demonstration of talent.
It is usually commonly thought that musicians are overly sensitive and emotionally frail, who collapse simply under the pressures of life. As talked about earlier, a musician, like another human being, has emotions and sanity or insanity. But, on the contrary, the musician has a sure advantage, for music can also be a method of healing and venting of trauma and therefore therapeutic to perform. This causes a great avenue for reduction and customarily results in better mental and emotional security.
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