There are many misunderstandings about musicians. These misconceptions exist even in educated societies across the world. While they apply to artists normally, our focus here is with music.
One false impression is that the musician has to be a «starving artist» and live a poor lifestyle. Music, just like another profession, has those who succeed financially and people who don’t and those in between. You see rich pop and rock stars and you see buskers with jars on the street. Monetary success is impartial of talent, and not necessarily particular to anyone trade either.
An fascinating thing to note is that music itself is actually a relatively expensive industry as far as professional musicians are concerned. Instruments and different equipment plus their maintenance and in addition spaces can be quite costly. Quality lessons, a essential funding, will not be exactly cheap. All companies have their overhead and operating expenses. And doing music vocationally falls into this category, due to this fact it requires proper enterprise acumen and wonderful financial planning to make sure solvency and viability. And there are certainly professional musicians in this world who usually are not «starving» and doing just fine.
One other false concept is that musicians need to be somewhat loopy or unstable, and this has someway become related with talent. Talent stands alone and is its own area.
Oppressive people created this false notion in an effort to keep creativity down. Anything good, highly effective and artistic threatens sure individuals whose only intention is to destroy. This, by the way, explains the prevalence of drugs in rock music. It is all calculated. Musicians, because they’re artistic and artistic, are vulnerable and often targets for suppression.
Musicians, like every other human being, have emotions and feelings. Because they are under more judgement and evaluation, equivalent to during competitions or academic jury exams, they develop into more prone to attacks by those that use that as an avenue primarily to hurt others, or by those who are simply insensitive. Contradictory evaluations between judges may also cause nice confusion.
Being expressive, joyful, insouciant and humorous can all come under the heading of creativity, so this too has also been falsely associated with being crazy or neurotic.
Being pretty uninhibited is mostly frowned upon in our society, where we’re all anticipated to behave in a certain way, like cattle. When a musician is in a transcendental moment, he could seem considerably loopy to a more ordinary person. A real instance was a composer who was walking down the road and impulsively had a spark of creativity and he started «thinking out loud» with his artistic process, making rhythmic hand and body gestures. Some passersby may need thought there was something flawed with him, not understanding that he was merely having a transcendental or inventive moment.
One common fallacy is that it is in some way okay for a musician to play for free. The «pay to play» idea is sadly prevalent. Would one ask a plumber to come fix the sink totally free? Not if he needs to get his sink fixed. Consider it or not, an ad was placed recently in a sure classifieds part from a restaurant owner seeking a band to come perform at his restaurant totally free with the inadequate change of «promoting themselves and selling albums». As silly as this sounds, it is all too common. Music instructors incessantly get asked without spending a dime lessons. While there’s nothing mistaken with doing volunteer work to help deserving underprivileged individuals, that is different. Would one ask an accountant to do taxes at no cost? Again, same principle.
Another improper concept about musicians is that their physical look, habits or demeanor must be unusual, totally different and even weird. This gets imposed quite a bit however is unnecessary. It is an incorrect habit in many societies. Image is image and irrelevant to demonstration of talent.
Additionally it is commonly thought that musicians are overly sensitive and emotionally frail, who collapse simply under the pressures of life. As mentioned earlier, a musician, like another human being, has emotions and sanity or insanity. However, on the contrary, the musician has a sure advantage, for music can be a technique of healing and venting of trauma and therefore therapeutic to perform. This causes an ideal avenue for aid and customarily ends in greater mental and emotional security.
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