There are many misunderstandings about musicians. These misconceptions exist even in educated societies around the world. While they apply to artists basically, our focus right here is with music.
One false impression is that the musician has to be a «starving artist» and live a poor lifestyle. Music, just like any other profession, has those who succeed financially and those that do not and people in between. You see rich pop and rock stars and also you see buskers with jars on the street. Monetary success is unbiased of expertise, and not essentially particular to anyone business either.
An attention-grabbing thing to note is that music itself is definitely a comparatively costly trade as far as professional musicians are concerned. Instruments and other equipment plus their upkeep and in addition areas can be quite costly. Quality lessons, a needed funding, usually are not precisely cheap. All businesses have their overhead and operating expenses. And doing music vocationally falls into this class, subsequently it requires proper enterprise acumen and excellent monetary planning to ensure solvency and viability. And there are definitely professional musicians in this world who will not be «starving» and doing just fine.
Another false thought is that musicians need to be considerably crazy or unstable, and this has one way or the other become related with talent. Expertise stands alone and is its own area.
Oppressive individuals created this false notion in an effort to keep creativity down. Anything good, powerful and inventive threatens sure people whose only intention is to destroy. This, by the way, explains the prevalence of medicine in rock music. It is all calculated. Musicians, because they are inventive and creative, are vulnerable and infrequently targets for suppression.
Musicians, like every other human being, have emotions and feelings. Because they are under more judgement and evaluation, such as throughout competitions or academic jury exams, they develop into more prone to attacks by those who use that as an avenue primarily to hurt others, or by those who are simply insensitive. Contradictory evaluations between judges may also cause great confusion.
Being expressive, joyful, insouciant and humorous can all come under the heading of creativity, so this too has also been falsely associated with being loopy or neurotic.
Being pretty uninhibited is generally frowned upon in our society, the place we are all expected to behave in a certain way, like cattle. When a musician is in a transcendental second, he could seem somewhat loopy to a more ordinary person. A real instance was a composer who was walking down the street and abruptly had a spark of creativity and he started «thinking out loud» with his inventive process, making rhythmic hand and body gestures. Some passersby may need thought there was something flawed with him, not understanding that he was simply having a transcendental or inventive moment.
One frequent fallacy is that it is somehow okay for a musician to play for free. The «pay to play» idea is sadly prevalent. Would one ask a plumber to come fix the sink without spending a dime? Not if he needs to get his sink fixed. Imagine it or not, an ad was placed not too long ago in a sure classifieds part from a restaurant owner seeking a band to come back perform at his restaurant totally free with the inadequate exchange of «promoting themselves and selling albums». As silly as this sounds, it is all too common. Music instructors continuously get asked at no cost lessons. While there is nothing flawed with doing volunteer work to assist deserving underprivileged people, that is different. Would one ask an accountant to do taxes without spending a dime? Once more, same principle.
Another improper thought about musicians is that their physical appearance, behavior or demeanor needs to be unusual, totally different and even weird. This gets imposed so much but is unnecessary. It’s an incorrect habit in many societies. Image is image and irrelevant to demonstration of talent.
It is usually commonly thought that musicians are overly sensitive and emotionally frail, who collapse simply under the pressures of life. As mentioned earlier, a musician, like any other human being, has emotions and sanity or insanity. But, on the contrary, the musician has a certain advantage, for music can be a method of healing and venting of trauma and subsequently therapeutic to perform. This causes an important avenue for reduction and usually ends in higher mental and emotional security.
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