Most singing academics agree that both women and men have «head voice» as part of their sound. This term applies to the way the vocal cords vibrate and work when we sing high notes. I will go into the mechanics of the vocal cords in another article and in my programs, however for now let’s just understand that strips of membrane in our larynx (adam’s apple) we call vocal cords vibrate in opposition to each other, turning air from our lungs into sound. For decrease sounds (the chest voice) the total size or the cords is used for the action. Since higher sounds require smaller, shorter or thinner vibrations (think how a harp looks) the vocal cords must change in form and measurement in an effort to make high notes.
As we sing higher notes our two vocal cords move closer together and begin to do what is called the «zipper impact». Higher notes require a smaller opening for the air to go through, so a small miracle happens because the cord begin to «zip» up, leaving a smaller and smaller opening. (Think of what a clothing zipper looks like as it zips up.)
So, while you think about it, it ought to take less air pressure to sing the high notes than the low ones, and it does. For low notes there is a big opening between the cords where you’ll be able to pass plenty of air via without loads of stress. And the high notes require a smaller opening between the cords. This smaller opening permits less air to pass by without stress. Once we attempt to push an excessive amount of air pressure (volume) via the cords for higher notes we cause them to work too hard resisting the additional air. This produces an overly-fats, amateurish sound which sounds forced and difficult.
When we sing higher we «really feel» we should work harder to get these notes out. In truth, we have to back off some, really feel the sound higher in our head, letting it thin like the higher notes of the piano or guitar.
Try singing a sweeping steady «ah» or «uh» vowel, starting at your lowest note and «sweeping» or sliding the continual sound as much as your highest notes. Notice that you’ll probably attain a point when it seems you possibly can go no higher. Lighten your sound there and start to let it thin and really feel higher in your head. Guys, if you go into the falsetto that’s OK for now. Allow you to voice do what it needs to do. Girls you will probably need to move into your head voice at some point. That is ok. Just keep going, making an attempt not to strain.
Do this train often, being attentive to how the higher notes feel. Are you pushing and straining, or are you just letting it sweep on up?
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