Most singing lecturers agree that each males and females have «head voice» as part of their sound. This time period applies to the way the vocal cords vibrate and work after we sing high notes. I will go into the mechanics of the vocal cords in another article and in my programs, however for now let’s just understand that two strips of membrane in our larynx (adam’s apple) we call vocal cords vibrate in opposition to each other, turning air from our lungs into sound. For decrease sounds (the chest voice) the complete length or the cords is used for the action. Since higher sounds require smaller, shorter or thinner vibrations (think how a harp looks) the vocal cords should change in form and size in order to make high notes.
As we sing higher notes our two vocal cords move closer collectively and begin to do what is called the «zipper effect». Higher notes require a smaller opening for the air to undergo, so a small miracle happens as the wire start to «zip» up, leaving a smaller and smaller opening. (Think of what a clothing zipper looks like as it zips up.)
So, once you think about it, it ought to take less air pressure to sing the high notes than the low ones, and it does. For low notes there’s a big opening between the cords the place you’ll be able to pass lots of air by way of without plenty of stress. And the high notes require a smaller opening between the cords. This smaller opening permits less air to pass via without stress. Once we attempt to push an excessive amount of air pressure (quantity) by way of the cords for higher notes we cause them to work too hard resisting the extra air. This produces an overly-fat, amateurish sound which sounds forced and difficult.
Once we sing higher we «feel» we must work harder to get those notes out. In fact, we have to back off some, feel the sound higher in our head, letting it thin like the higher notes of the piano or guitar.
Strive singing a sweeping continuous «ah» or «uh» vowel, starting at your lowest note and «sweeping» or sliding the continuous sound up to your highest notes. Discover that you will probably reach a degree when it appears you may go no higher. Lighten your sound there and begin to let it thin and really feel higher in your head. Guys, in the event you go into the falsetto that is OK for now. Let you voice do what it needs to do. Girls you will probably must move into your head voice at some point. That is ok. Just keep going, trying not to strain.
Do this exercise typically, taking note of how the higher notes feel. Are you pushing and straining, or are you just letting it sweep on up?
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