Most singing academics agree that both women and men have «head voice» as part of their sound. This time period applies to the way the vocal cords vibrate and work once we sing high notes. I will go into the mechanics of the vocal cords in another article and in my courses, but for now let’s just understand that strips of membrane in our larynx (adam’s apple) we call vocal cords vibrate in opposition to one another, turning air from our lungs into sound. For decrease sounds (the chest voice) the complete length or the cords is used for the action. Since higher sounds require smaller, shorter or thinner vibrations (think how a harp looks) the vocal cords must change in shape and size with a purpose to make high notes.
As we sing higher notes our vocal cords move closer together and begin to do what is called the «zipper impact». Higher notes require a smaller opening for the air to go through, so a small miracle happens as the twine start to «zip» up, leaving a smaller and smaller opening. (Think of what a clothing zipper looks like as it zips up.)
So, while you think about it, it should take less air pressure to sing the high notes than the low ones, and it does. For low notes there is a big opening between the cords the place you possibly can pass a lot of air by without a variety of stress. And the high notes require a smaller opening between the cords. This smaller opening permits less air to pass by way of without stress. Once we attempt to push an excessive amount of air pressure (volume) by the cords for higher notes we cause them to work too hard resisting the additional air. This produces a very-fats, amateurish sound which sounds forced and difficult.
Once we sing higher we «really feel» we must work harder to get these notes out. In reality, we have to back off some, really feel the sound higher in our head, letting it thin like the higher notes of the piano or guitar.
Attempt singing a sweeping continuous «ah» or «uh» vowel, starting at your lowest note and «sweeping» or sliding the continuous sound up to your highest notes. Notice that you’ll probably reach a degree when it seems you possibly can go no higher. Lighten your sound there and begin to let it thin and really feel higher in your head. Guys, when you go into the falsetto that’s OK for now. Allow you to voice do what it needs to do. Girls you’ll probably need to move into your head voice at some point. That’s ok. Just keep going, attempting not to strain.
Do this exercise typically, being attentive to how the higher notes feel. Are you pushing and straining, or are you just letting it sweep on up?
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